A selection of projects across editing, motion, effects, colour, and on-set work. Full reel and additional work available on request.
Promo for Bandland's return to Bengaluru. Concert footage cut against everyday city footage, so it plays more like a short essay than an ad. Editor, colourist, animator and post-producer.
Watch project →"Bandland is Bangalore, and Bangalore is Bandland." A documentary on six decades of rock in the city: where it started, and the scenes it set off.
Watch project →Every shot needed VFX, most of it cloning. I was on set during production to make sure every element was captured to spec, then turned the whole thing around in three days.
Watch project → Read the making-of →Grand-scale script, modest budget. We built half the set and extended the rest through green screen. A few shots were fully digital — dynamic ball movement composited through the set.
Watch project → Read the making-of →Four animated video essays on Indian advertising: where its ideas came from, how they're used now, and how much the country's cultural mix shapes them. Fully illustrated, with cut-up stock photos and footage mixed in.
Watch project →Product film for Vedantu's redesigned app. Kinetic type does most of the work, and the UI is shown in 3D.
Watch project →A launch keynote made during the pandemic. Several presenters, tied together with motion graphics that borrow from desktop operating systems.
Watch project →A run of quirky ads, one app feature each. Motion graphics and abstracted versions of the app's UI.
Watch project →Long brand film in three acts, told mostly through visual metaphor. Editor, VFX artist and animator.
Watch project →Two characters, a lot of back-and-forth. Comedy is timing, so every cut was about where the laugh lands. Three ads.
Watch ad 1 → Watch ad 2 → Watch ad 3 →Set extensions, replaced signage and heavy colour work in nearly every shot. Most of it you're not supposed to notice.
Watch project →India's constitution as narrator, talking about how it's been treated. Cut as a scrapbook of archive footage and old photographs.
Watch project →
Ten years as a DIT, from celluloid student films at Concordia to commercial
shoots across Bengaluru. On RED, ARRI and Blackmagic cameras: live stations,
real-time colour corrections for directors and DOPs, chroma-keying and data
wrangling on set.
Over time that grew into broadcast standards, live streaming and on-set
workflows that let clients see something close to the finished product
before post had started.
Want the full reel, or a breakdown of something specific? Ask.
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